However, Priest and new golden-boy Lasar a very young Brian Cox have other ideas and launch The Live Life Show, a live broadcast of the family trying to survive outside the system. In developing his science fiction stories, Kneale displayed an uncanny knack in predicting many ideas and issues that played out in reality over the subsequent years and this ability is nowhere more apparent than in his television play The Year of the Sex Olympics. Characters are painted gold and wear extravagantly coloured, asymmetrical clothes very similar to the fashions of the Capitol in The Hunger Games.
Characters are painted gold and wear extravagantly coloured, asymmetrical clothes very similar to the fashions of the Capitol in The Hunger Games. This idea of mass media as a means of controlling the population is one that has a long history within twentieth century writing and Kneale was undoubtedly influenced by authors like Aldous Huxley and George Orwell. Television is mainly responsible for it, the fact that people are now conditioned to image. Unusually for it was broadcast in colour which was made full use of. In a contemporary review of the play for The Sun newspaper, Nancy Banks-Smith commented that "If you didn't see it in colour, you didn't really see it". The scene where Kin Hodder falls to his death was also shot at Ealing. After the original broadcast in , the play was repeated once two years later before being wiped and it was not until a black and white tele-recording was discovered in the s that The Year of the Sex Olympics was able to reach a wider audience. When early reality TV shows such as Castaway and Big Brother were first shown in , many commentators pointed to The Year of the Sex Olympics as the model, with a perceived move towards lowest common denominator broadcasting doing nothing to dispel these thoughts. The Year of the Sex Olympics is also notable for its production design. Both the template for this fictitious entertainment and the audience's rapt reaction seem to presage the proliferation of 'reality' television in the s, and, in particular, Castaway BBC, , a show in which members of the public volunteered to live on an inhospitable island deprived of everyday luxuries normally available to society. Now regarded as one of the s' most effective and engaging one-off pieces of science fiction, the play is chiefly remembered for the prescience of the scenarios it develops. Does the spectacle of pain at a distance atrophy sympathy? The Year of the Sex Olympics audience Priest realises that laughter is a better soporific than sex and develops more slapstick, violent shows. Production began in early with Michael Elliot as director. It's largely an image of television as I know it". Audience Research Report indicated that many viewers found the play impenetrable. There is no doubt however, that it is the way that Kneale anticipates the invention of reality television midway through the drama — some thirty years before producers actually began making such programmes — that is most startling. Story Editor James Brabazon Cast: Tension and hurt is all they can come up with. Industrial action by BBC electricians interrupted the production, and by the end of the recording session the final ten minutes of the play remained untaped, leading to a remount on 23 June to complete the outstanding scenes. Cook puts it, "In a world of no limits, will the result quickly be apathy if there is nothing any more to get excited about, nothing precious or illicit to fight for in the teeth of the censor? This strand of writing is often valorised for its predictive insight, Kneale always claimed that he had little interest in predictive fiction, instead preferring to write about his experiences of the present and extrapolating on contemporary trends and ideas. Sadly, The Year of the Sex Olympics fell foul of the BBCs old policy of reusing tapes the same policy that has robbed us of so many s and s classics and the only version we have left is a slightly fuzzy black and white transfer. A mishap occurred during the shoot when Tony Vogel slipped and broke his wrist. While this does nothing to diminish the story, we have only contemporary reviews and a few production stills to give us a flavour of the vividness of the design. While this is going on, one of the top hi-drives, Nat Mender, has become torn by the paintings of Kin. The lo-drive audience is a collaborator in its repression and the hi-drive programmers, for all their power, rely on rating and retain for their success.
Video about the year at the sex olympics:
Olympic SEX Games
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