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She links these investigations to considerations of methodology ways of theorizing and analyzing online porn and affect , questions of materiality bodies, technologies, and inscriptions , and the evolution of online pornography. Countering theorizations of pornography as emotionless, affectless, detached, and cold, Paasonen addresses experiences of porn largely through the notion of affect as gut reactions, intensities of experience, bodily sensations, resonances, and ambiguous feelings. It addresses the complex relationship between pornography and medicine in particular, sexology and psycho-therapy whereby medicine has historically, and currently, afforded pornography considerable legitimacy and even authority. In contrast, this book re-opens the feminist debate about pornography for a new generation of critical thinkers in the 21st century. In its broad approach, the book also engages with the ideas of Michel Foucault, particularly his refutation of the liberal hypothesis that sexuality is a deep biological and psychological human property which is repressed by traditional, patriarchal discourses and which can be freed from authoritarianism, for example by producing and consuming pornography.

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She links these investigations to considerations of methodology ways of theorizing and analyzing online porn and affect , questions of materiality bodies, technologies, and inscriptions , and the evolution of online pornography. It addresses the complex relationship between pornography and medicine in particular, sexology and psycho-therapy whereby medicine has historically, and currently, afforded pornography considerable legitimacy and even authority. In contrast to the populist view that medicine is objective and rational, the contributors here demonstrate that medicine has been complicit with the construction of gender difference, and in that construction the relationship with pornography is not incidental but fundamental. Pornography matters politically and ethically. Paasonen dicusses the development of online porn, focusing on the figure of the porn consumer, and considers user-generated content and amateur porn. It matters in the real world as well as in fantasy; it matters to performers as well as to consumers; it matters to adults as well as to children; and it matters to men as well as to women. Countering theorizations of pornography as emotionless, affectless, detached, and cold, Paasonen addresses experiences of porn largely through the notion of affect as gut reactions, intensities of experience, bodily sensations, resonances, and ambiguous feelings. In Carnal Resonance, Susanna Paasonen moves beyond the usual debates over the legal, political, and moral aspects of pornography to address online porn in a media historical framework, investigating its modalities, its affect, and its visceral and disturbing qualities. This book provides a critical counterpoint to this current academic trend, and demonstrates its lack of engagement with the politics of the multi-billion dollar pornography industry which creates the desire for the product it sells, the individualism of its arguments which analyse pornography as personal fantasy, and the paucity of theoretical analysis. And she analyzes viral videos and extreme and shock pornogaphy, arguing for the centrality of disgust and shame in the affective dynamics of porn. The 21st century has witnessed a growth in neo- liberal academic literature which is pro-pornography. Paasonen's analysis makes clear the crucial role of media technologies--digital production tools and networked communications in particular--in the forms that porn takes, the resonances it stirs, and the experiences it makes possible. Porn can be accessed for free, anonymously, and in a seemingly endless range of niches, styles, and formats. A range of theoretical approaches critically engages with this topic in the light, firstly, of radical feminist ideas about patriarchy and the politics of gender, and, secondly, of the rapidly changing conditions of global capitalism and digital-technologies. Digital production tools and online networks have dramatically increased the general visibility, accessibility, and diversity of pornography. In its broad approach, the book also engages with the ideas of Michel Foucault, particularly his refutation of the liberal hypothesis that sexuality is a deep biological and psychological human property which is repressed by traditional, patriarchal discourses and which can be freed from authoritarianism, for example by producing and consuming pornography. In taking pornography as a cultural and social phenomenon, the concepts brought to bear by the contributors critically scrutinise not only pornography and medicine, but also current media scholarship. In contrast, this book re-opens the feminist debate about pornography for a new generation of critical thinkers in the 21st century. She maps out the modality of online porn as hyperbolic, excessive, stylized, and repetitive, arguing that literal readings of the genre misunderstand its dynamics and appeal.

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